相传，草群流传千年的古医秘针“鬼门十三针”正可救人于鬼门，草群邪可控人于傀儡，人人皆想得之，奈何它早已匿于江湖，无迹可寻。当世人逐渐遗忘“鬼门十三针”之时，一起诡异莫测的连环杀人案却牵扯出“鬼门十三针”，以及藏于它身后的鬼门秘派，案情愈发扑朔迷离。与此同时，曾因谋害恩师被逐出鬼门的宋敬之在调查连环杀人案时，莫名成为连环杀人案的凶手。面对种种铁证，宋敬之与幕后凶手展开了一场关乎生死和救赎的正义之战。危机时刻，一位毁容老妇认下所有罪名，螳螂捕蝉黄雀在后，亦真亦假，究竟谁才是真正的凶手？
回复 :曾经走过很长的一段路，小时候的吴峰因为母亲的离开，仍然活在记忆中，吴峰的伤害仍在继续，他只有每天混沌的过着每一天。他用自己的方式反复寻觅着母亲的影子、只是选择性的遗忘了一些不美好的人和事，但对母亲的记忆却随着年龄的增长越来越清晰、思念也越发强烈。但母亲的脸在记忆中却越来越模糊不清，在吴峰唯一拥有的他和母亲的半张合照中，母亲的脸却是被抠掉的，这些细节，反而令吴峰越发的想要追回对母亲和对童年的记忆。吴峰利用一台老式的胶片照相机拍到记忆中相似的背影等等。。。
回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
米线
回复 :一个小山村的小男孩白龙和他妹妹白兰花之间的兄妹情，和父亲白富贵之间的父子之情，和从城里来山村学校举行“手拉手”活动的城里同学何梦冉之间的友情，以及和班主任孙老师之间的师生之情。体现了留守儿童这个弱势群体的真实感情世界。
