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安份守己的货柜司机唐志明满以为迁新居后，免费可以安居乐业，免费岂料这却是恶梦的开端。首先在装修期间，遭到黑社会背景的承建商前来勒索恐吓，幸得明妻亚珍之昔日情人罐头刀出面，事件才得以平息。怎料，刀实另在居心，在其怂勇下珍往刀的老大黑超文旗下金融公司的炒外汇，结果亏了大本，欠下巨债；刀遂哄珍向文借钱，以作应急之用，而珍恐其夫责备，故不敢将实情告知。
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安份守己的货柜司机唐志明满以为迁新居后，免费可以安居乐业，免费岂料这却是恶梦的开端。首先在装修期间，遭到黑社会背景的承建商前来勒索恐吓，幸得明妻亚珍之昔日情人罐头刀出面，事件才得以平息。怎料，刀实另在居心，在其怂勇下珍往刀的老大黑超文旗下金融公司的炒外汇，结果亏了大本，欠下巨债；刀遂哄珍向文借钱，以作应急之用，而珍恐其夫责备，故不敢将实情告知。
回复 :艺术品收藏家艾德琳（帕特里克·波查 Patrick Bauchau 饰）来到朋友丹尼尔（Daniel Pommereulle 饰）的海边别墅度假，在这里，他遇见了漂亮的女孩海蒂（哈蒂·波丽托弗 Haydée Politoff 饰）。丹尼尔告诉艾德琳，海蒂是个生活作风颇为开放的女孩，有许多个风格迥异的男友，艾德琳和朋友在背后戏称她为“收集男人的女人”。艾德琳崇尚健康、自然、克制的生活方式，这样的他自然瞧不起海蒂的放浪形骸，但同时，他发现自己又总是不经意的注意着海蒂，这个女孩的一举一动能够轻易的牵动他的情绪，并且，海蒂似乎对自己也心怀好感。没想到，海蒂选择的居然是自己的好友丹尼尔，这让艾德琳心里很不是滋味，他离开别墅回归到自己的生活，却仍然和海蒂保持着藕断丝连的关系。在法国这个热情浪漫的城市里，一对男女对待感情兜兜转转遮遮掩掩，艾德琳是否会成为海蒂的下一个“收藏品”呢？
李泰祥
回复 :环卫所女工青姐目睹了一场车祸，肇事者开车逃逸。向警察提供了肇事现场的信息后，却不料这是辆套牌车，案件变得迷离。青姐的神经再次被事故现场的画面所震撼。良心苦苦挣扎后她决定追寻肇事者。这时，她收到一个装满现金的信封，告诫她，彻底抹去交通事故的记忆。事情越来越接近真相，肇事司机也渐浮水面，正是儿子同学的爸爸，青姐收到一封恐吓信，儿子魏恒被打，当家人都以为是意外时，只有青姐知道这意味着什么！
馨予
回复 :A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
