日韩讲述了72岁的花样青春"末顺"(罗文姬 饰) 与从未听说过的孙女"小公主"(金秀安 饰)出现后开始的令人不可思议的同居故事。
日韩讲述了72岁的花样青春"末顺"(罗文姬 饰) 与从未听说过的孙女"小公主"(金秀安 饰)出现后开始的令人不可思议的同居故事。
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
回复 :美丽的智恩(申铉彬 饰)曾经拥有美好的生活和光明的未来,谁知一场车祸夺去了父母的姓名,而她也因为这场事故无法完成学业,远离了射击比赛冠军的殊荣,甚至落下了结巴的毛病。如今的她在一家工厂打工求生,生活紧紧巴巴。但是命运从来不打算放过她,在某个夜晚,她遭到三名歹徒的轮暴,身心备受摧残。智恩试图报警,然而失德的警察面对这个结巴女孩没有丝毫耐心,反而认定她想诬陷别人讹诈钱财。未过多久,其中一名歹徒拿着智恩丢落的身份证找上门来,并意图再次施暴。悲痛欲绝的智恩开始反抗。而以此为契机,这个已经跌落尘埃的女孩开始了向这个该死的世界的复仇……
回复 :电影讲述网络漫画作家智友(盛骏 饰)探访废弃公寓光林Mansion时发生的怪异而恐怖的现实向故事。《怪奇宅》由5个怪谈故事组成,以《楼层噪音》《霉菌》《电梯》等现代人都能体验到的日常素材为基础,给人以有密度的恐惧感。这也是盛骏退伍后的首部公开作品。《怪奇宅》首先院线上映,其后自7月30日开始将通过Olleh TV、Seezn和Skylife平台依次公开。