剧情简介
陈有财发现片场里有宝藏，初入遂准备设法驱赶看更员王守利及朱仔等离开，初入他发现这几个看更员多年前曾奸杀女演员邱慧贞，并在巡夜时看到过女鬼，于是陈有财和妻子便借此扮僵尸吓唬王等人，想迫使他们离开片场。不料又新来了一个叫莫锐的管理员，他亦是为宝藏而来，与陈有财夫妇展开争斗，人为财死鸟为食亡……
初入江湖
陈有财发现片场里有宝藏，初入遂准备设法驱赶看更员王守利及朱仔等离开，初入他发现这几个看更员多年前曾奸杀女演员邱慧贞，并在巡夜时看到过女鬼，于是陈有财和妻子便借此扮僵尸吓唬王等人，想迫使他们离开片场。不料又新来了一个叫莫锐的管理员，他亦是为宝藏而来，与陈有财夫妇展开争斗，人为财死鸟为食亡……
动力火车
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花木兰乐队
回复 :翠绿星是熊猫一族们赖以生存的唯一家园，然而，近日里，这颗本来美丽的星球遭到了大肆破坏，满目疮痍即将走到寿命的尽头。对于糟糕的现状，熊猫国王无计可施只能听天由命，此时，一位名为泰隆（丁研 配音）的王子忽然现身，带来了一张神秘的羊皮卷轴。在羊皮卷上，记载着一个名为“潘达星”的地方，这里被称为熊猫乐园，是熊猫一族不至于灭亡的唯一希望。就这样，英勇的泰隆和弟弟尚光（王亚林 配音）一同踏上了充满危机的旅途。另一边，邪恶而又贪婪的土狼王对熊猫一族恨之入骨，它派出了潘多拉（叶方 配音）、铁锤（唐泽宗 配音）和红影（王雪沁 配音）三名手下，企图将泰隆一行人彻底消灭。
严正花
回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
