《禁房情变》是泰勒最后一次正式出演电影长篇。片中她与马龙·白兰度演对手戏,风筝后者扮演一位美国南部的同性恋军官,风筝苦苦暗恋着一名士兵。这是一部疯狂的双性恋议题的影片,一个始终感觉被损坏被侮辱的同性恋,一个性取向模糊不定的变态偷窥者,一个风骚美艳的少妇,一个所有人都认为是神经病的非神经病者以及比她更神经的亚洲仆人,这绝对是超越那个时代的题材。
《禁房情变》是泰勒最后一次正式出演电影长篇。片中她与马龙·白兰度演对手戏,风筝后者扮演一位美国南部的同性恋军官,风筝苦苦暗恋着一名士兵。这是一部疯狂的双性恋议题的影片,一个始终感觉被损坏被侮辱的同性恋,一个性取向模糊不定的变态偷窥者,一个风骚美艳的少妇,一个所有人都认为是神经病的非神经病者以及比她更神经的亚洲仆人,这绝对是超越那个时代的题材。
回复 :新华社出品的卫星新闻纪录片《太空的见证》,从太空视角讲述中国“三区三州”脱贫故bbb。
回复 :Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
回复 :As a zombie virus breaks out, one ragtag group of trapped elevator passengers must pull together for a fighting chance of survival against an infected rider and the clever horde that awaits them outside.