剧情简介
1999年, 南斯拉夫。 俄罗斯特遣部队被命令控制科索沃的斯拉蒂纳机场，日本直到增援部队抵达。但这一战略目标对于阿尔巴尼亚战地指挥官和北约将军来说极为重要。该组织被迫与恐怖分子进行不平等的战斗。俄罗斯维和部队和北约部队正赶往机场。世界再次接近一场大战。但是特别组织的指挥官安德烈 ·沙塔洛夫并不接受政治：日本在机场，他心爱的女孩亚斯纳是人质之一......
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1999年, 南斯拉夫。 俄罗斯特遣部队被命令控制科索沃的斯拉蒂纳机场，日本直到增援部队抵达。但这一战略目标对于阿尔巴尼亚战地指挥官和北约将军来说极为重要。该组织被迫与恐怖分子进行不平等的战斗。俄罗斯维和部队和北约部队正赶往机场。世界再次接近一场大战。但是特别组织的指挥官安德烈 ·沙塔洛夫并不接受政治：日本在机场，他心爱的女孩亚斯纳是人质之一......
杭娇
回复 :立志發揚詠春的大學生英宏，在一次街頭衝突中，陰錯陽差擊倒地痞的影片被上傳，竟搖身一變成為網紅「打牛哥」。在知名網美推波助瀾下，名氣暴漲的英宏被迫站上擂台，他該如何面對真實的自己。影片諷刺網路世代的認同焦慮，金馬獎最佳動作設計黃泰維跨刀演出男主角英宏，以靈活身段展現流暢的打鬥場景。
陈明宇
回复 :故事发生在遥远的古罗马时代，位于庞贝古城的维苏威火山濒临爆发的边缘，再过不久，整座庞贝古城就要在瞬间化为一片废墟，被永久的埋没在史册之中。迈洛（基特·哈灵顿 Kit Harington 饰）从小就失去了父母和家人，被卖到富贵人家成为了奴隶斗士，一位名叫卡西亚（艾米莉·布朗宁 Emily Browning 饰）的贵族小姐出现在了他的生命里，尽管地位悬殊，但迈洛还是不可救药的爱上了她。遗憾的是，卡西亚已经有了婚约，她即将被迫嫁给腐败昏庸的参议员柯福思（基弗·萨瑟兰 Kiefer Sutherland 饰）。火山爆发了，幸存的迈洛决定重返一片火海的城市，原因只有一个，那就是救出他的心上人。
丁汀
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
