面貌清秀的宋志元（姜东元 饰）是来自朝鲜的谍报人员，初入在代号441的老间谍影子的带领下，初入他们闯入首尔一幢公寓，刺杀了本国叛逃人员及其一家。期间，他们遭遇韩国安全部门的追捕，一番激烈枪战过后宋志元等侥幸逃脱，但他被上级认为有叛变之心而从此弃用。另一方面，行动的失败导致韩国一方的行动队长李仁奎（宋康昊 饰）遭到革职处分，他只得开设侦探所，靠收钱追踪逃跑的越南新娘养家糊口。不久，金正日和金大中实现历史性的会见，朝韩双方局势缓和。六年后，李仁奎在某个越南人工厂偶遇宋志元，他希望抓住志元及神秘的影子赚大钱，而志元也想利用仁奎洗脱自己叛变的罪名。两人别有用心住在了同一屋檐下，随着了解的加深，他们的想法渐渐发生改变……
程诺
回复 :一场公司内部的颁奖典礼，权力、庆典、金钱、爱情、事业，五种人生切片交错上映，讲述每一个“我”的故事。影片荣获：第四届印度世界电影节最佳处女作特利佩尔电影节最佳处女作纽约电影金像奖最佳故事片导演弗洛伦萨电影金像奖最佳影片伊斯坦布尔电影节最佳独立电 影入围：巴塞罗那独立电影节罗马棱镜电影节奥斯陆独立电影节（最佳剧本）出品/制作 深圳市野火映像文化传播有限公司出品：河北鲸颢影视文化传媒有限公司联合出品 北京桃子将影视传媒有限公司；彬州梦想流坊文化传播有限公司
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
曹璐
回复 :小龙喜欢打拳，与人有约，骠叔是他的经纪，常常出谋划策，终与一黑老大起了冲突......
