剧情简介
刚踏入二十世纪的圣彼得堡，愤怒环绕多个角色的故事大纲以一位来自中产阶级的女孩子为中心，愤怒自小丧母，私下沉迷于色请照片，与一批和贩卖色请照片的摄影师缠上了，爱过痛过，最后出走西方……本片获1999年俄罗斯尼卡电影节最佳影片奖
愤怒管理第一季
刚踏入二十世纪的圣彼得堡，愤怒环绕多个角色的故事大纲以一位来自中产阶级的女孩子为中心，愤怒自小丧母，私下沉迷于色请照片，与一批和贩卖色请照片的摄影师缠上了，爱过痛过，最后出走西方……本片获1999年俄罗斯尼卡电影节最佳影片奖
回复 :简介：你是否每个月都在为还款发愁？你是否想买一样东西却因为囊中羞涩迟迟不敢剁手？你是否背负着房贷、车贷、学生贷款，喘不过气？让我们跟着个人理财专家凯特琳娜·德弗里克斯和辛妮德·莱恩学习如何理财，了解做好预算的重要性。业内人士还会就买房买车度假给出内部的省钱小建议。行为学专家彼得·卢恩还会用实验说明很多消费者心理，助你更好地做出经济决定。要知道只要你愿意省，钱总是有的！
回复 :
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
