在未来，无码因为战争和资源的枯竭，无码建立在石油之上的工业社会陷入崩溃，人们为了汽油展开生死争夺，这是恐怖如地狱的末世景象。失去了朋友和亲人的麦克斯（梅尔·吉布森 Mel Gibson 饰）以车为家，继续和公路骑士们无休无止的战斗。然而因为他的V8失去燃料，麦克斯只得离开公路，在一个陷阱猎手的指引下，前往一处石油钻井寻找燃料。荒漠中的人们，为了保卫钻井，建立了防御设施对抗骑士休曼格斯一伙，麦克斯从骑士们手中救出了一位奄奄一息的钻井保卫者，结果反被钻井守卫者们扣留，而此时，休曼格斯率领手下将钻井团团包围，危急关头，麦克斯设计对抗休曼格斯……
回复 :在这个揭示钢铁超人起源的传奇冒险故事里，过去和现在发生了碰撞。在一个被埋葬多年的中国古老王国的废墟上，百万富翁兼发明家托尼。斯塔克进行着挖掘工作，但挖掘进度远远超出了协议规定的部分。他解开了一个古老的预言，预示中国最黑暗和最暴乱朝代的君主Mandarin将会复苏。为了对 付这股极具破坏性的力量，托尼打造了一套盔甲，并装备上先进武器。为了阻止这个他亲手带到地球的邪恶力量，托尼必须要成为自己有生以来最伟大的发明 -- 钢铁超人！这个新生的战士必须到地球的四个角落同Mandarin的追随者元素战士 -- 4个操纵着土、水、风和火元素力量的战士 战斗！但像预言所说的那样,钢铁超人是否有足够的能力挑战命运，阻止这股邪恶力量意图对地球的破坏呢？
朴志胤
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
回复 :2005年7月英国伦敦遭遇了前所未有的恐怖袭击。袭击事件之后，一些父母陆续来到伦敦寻找自己的子女，以确认他们在袭击中没有伤亡。正是这样的恐怖袭击，将生活在伦敦的孩子，和孩子们的父母，和这座城市紧密联系到了一起，也成为这部电影的主题……
