坎卜Only one lusted glance brings Aliya to the events throwing her into the criminal ocean. But in the wirliging of passions and turmoil when she finds herself at the verge of fatality it's only her true love that is the only rescue.Now the most important thing for Aliya is to preserve the honor and dignity and the whole world will be at our feet.
林佳蓉
回复 :由《宿醉》导演托德·菲利普斯执导的喜剧片，根据真实故事改编。已经成年的David（迈尔斯·特勒饰）终日只能靠给别人按摩挣点小钱，穷则思变的他决定自己创业，结果轻虑浅谋的David资产全部套牢。恰巧这时碰到了阔绰的童年伙伴Efraim（乔纳·希 尔饰），得知女友意外怀孕的David在Efraim的劝说下决定瞒着女友跟他做起了军火生意。事业慢慢开始风生水起，终于一次机会二人接到了军方三亿美元的大单，可是事与愿违......
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
回复 :为了拯救关门大吉的歌剧院，在歌剧院长大的女孩肯德尔让风尚合唱团的成员重新团聚，并且在她们最初的舞台上做一场圣诞表演。
