查克身为联邦快递的系统工程师，高清不论是他的私生活或是工作都讲求精准效率，高清他的个性急躁，因此对一切都讲求速度，加上他有绝对的控制欲，所以他的起居生活和工作行程随时随地都在他的掌握之中。虽然他的事业成功，但是情感却是另一回事。由于他是个超级工作狂，所以很少有时间陪女友凯莉，因此他们的关系出现危机。在一次出差的旅程中，查克搭的小飞机失事，他被困在一座资源贫瘠的无人荒岛，当他失去现代生活的便利以及人与人之间的互动，生活唯一的目的就是求生，他的人生观反而逐渐有所转变，当他发现生活的压力顿时消失，便开始反思人生的目的，最后对于工作、感情，甚至生命本身都有全新的体会和领悟。
回复 :王子乐从南方来到北方的一座小城T市，打算给认识5年的网友杨璐一个惊喜。谁知在T市碰到黑心老板被骗，幸好几个神秘黑衣人帮助他解决了此事，临别前给了他一张“有求必应”的公司名片。王子乐联系不到杨璐，在陌生的城市中走投无路，只好根据名片找到了“有求必应”公司并在此打工。通过学习，王子乐和有求必应一起惩奸除恶，帮助那些需要帮助的人。一次行动中，他发现了杨璐的失踪并没有那么简单，背后还隐藏着一个巨大的秘密。
回复 :返回平民生活作为一个德州牧场主,队长兰斯Deakin fends了从以前的成员攻击他的单位来揭示他的斗争的真相就照一个战士在伊拉克。军方矛上进行实验和跟随他的人、要把它们变成super-soldiers和洗脑他们记得他们的绝密的任务hyper-violent内容的视频游戏叫“MINUTEMAN。兰斯必须揭开真相来救他所爱的女人。
回复 :Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
