国产一级_片A片免费无码y
地区:其他
  类型:加拿大
  时间:2025-05-03 18:47:36
剧情简介

国产Upon moving into her husband's childhood home to help take care of his elderly relatives, Jean Copeland, an emotionally withdrawn wife and mother of two, becomes embroiled in an affair with a suicidal lover. Her husband, Gordon, is oblivious, too busy worrying that he's losing his most prized possession, his mind, after a run-in with an ex-girlfriend he doesn't remember. 19-year-old, Priscilla, is a fashionista desperate to become a reality TV star, while 9-year-old crossword fanatic, Otis, has fallen in love for the very first time. Otis (played by Noah schanpp) falls in love with Caterina (played by Caroline Mills) after, well, forever. With Gordon's father, Theodore, fading into dementia, and 95-year old matriarch, Vivian, desperately clinging to control of the house, the six family members, at five stages of life, distill the dreams, worries, and regrets, of contemporary America.

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明星主演
千百惠
薛岳
叶启田
最新评论(153+)

艾莉婕

发表于4分钟前

回复 :获奖:2003年布宜诺斯艾利斯独立电影节最佳电影2003年戛纳影展法国文化奖年度最佳外国导演2003年戛纳影展“一种注目”最佳电影介绍:在广阔的毛里塔尼亚沙漠的边缘座落着一个叫Nouadhibou的临海小镇。在那儿,17岁的阿布达拉在移居欧洲前准备去探望母亲。这位忧郁的年轻人觉得自己在家乡格格不入;不会说当地语言;躲避乡村的风俗习惯和传统节日;相比传统服饰,他更喜欢最新的欧洲款式。但是阿布达拉还是融入到这片陌生的环境和当地居民的生活当中。他遇上忧伤而魅惑的娜娜;年长的巧手工玛塔;还有浓眉大眼的乐观小孤儿卡特拉。导演这部充满诗意,摄影优美的电影细致地观察并尖锐地对发展和传统之间的冲突做出尖锐的分析。


朱茵

发表于9分钟前

回复 :效力于某政府机关的吉诺(柳昇范 饰),以实习生的身份随同部门其他成员参加跟踪某大人物的行动。然而他们的举动早已被对方识破,经过一番追逐,对方一辆载有神秘手提箱的车子出了车祸,报废的车子随后被开拖车的女孩尹娜美(高俊熙 饰)拖走送到了废品回收站。经营回收站的雅库布是一个非洲人,他在报废车子里发现了手提箱,而随之赶来的吉诺则在雅库布和娜美面前揭开了箱子的秘密,里面装着满满的黑钱。众人一番合计,决定吞下这笔钱远走高飞。与此同时,吉诺的上司受大人物施压被迫找寻黑钱的下落。小人物的命运不知不觉中被卷入了残酷的漩涡之中……


周迅

发表于2分钟前

回复 :与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).


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