一如他曾把卡夫卡小說幾乎「抽象」化，假人也把巴哈女士日記拍得如此地貼近音樂而非文字，假人Straub的這種風格，除了執拗地延續像MoulletGarrel這些新浪潮好友的「極簡」手法之外，也算是為自己的「藝術」捍衛的極高體現。看來，我還得回頭去看一下Pedro Costa為「我們時代的電影」系列，為這兩夫妻拍的那一集吧，或許，我才真正能向他們更靠近一些（到底是Costa像他們而找他拍，還是Costa本身確實受到兩夫妻的影響，而得到真髓，所以找來對他們最有研究的創作者來拍呢？這我們就不得而知了）？
风云组合
回复 :On a remote holiday park in Cornwall, a young woman is drawn into a mysterious obsession when she suspects her boyfriend has cheated on her.
愉慧
回复 :对1964年样板戏（芭蕾舞剧）的记录，本身也是改编自谢晋1961年的同名电影。
陈科妤
回复 :Frank, a retired Irish seaman, and Walter, a retired Cuban barber, are two lonely old men trapped in the emptiness of their own lives. When they meet in a park Frank is able to start a conversation after several attempts. They begin to spend time together and become friends. But because of their different characters they often quarrel with each other and finally seperate after Frank misbehaves to Walter's friend Elaine.
