波尔（盖伊·拉佩 Guy Lepage 饰）虽然身为捍卫正义的警察，起立却是个脑袋不太灵光的警察，起立案件常常因为他的胡乱掺和而走向更加复杂难解的境地。梵奇（瑞查·班得瑞 Rachid Badouri 饰）和波尔恰恰相反，身为法国秘密警察中的一员的他精明强干，聪慧过人，是同事和上司信任的得力干将。一次偶然之中，波尔成为了一宗黑帮凶杀案的目击证人，被害者是警方一直虎视眈眈的洗钱高手卡波尼（Michel Perron 饰）。为了抓住这次机会彻底整垮黑帮团伙，法国和加拿大警界决定合作，法国方将梵奇派到了波尔身边，化身成为波尔手下的一名实习警员。两个人摩擦不断，笑料百出。
殷秀梅
回复 :在俱乐部Honey Bunny担任雇佣店长的清原修造（藤原龙也 饰）赌马时弄丢店里的营业额，为免被老板破魔翔（窪塚洋介 饰）杀死，他被俱乐部头牌茉莉亚（中岛美嘉 饰）拉去向恐怖魔女涉柿多见子（池畑慎之介☆ 饰）举债。拆东墙补西墙的做法无济于事，修造找来最信赖自己的小弟小 岛一德（田中圣 饰）和生意濒临破产的常客金森健（小杉龙一 饰），策划了抢劫银行的行动。抢劫当天，三人事成后回到Honey Bunny，可是分赃不均产生内讧。而在这次银行劫案背后，又有多方势力以及阴谋介入其中。尔虞我诈，坑蒙拐骗，谁也不知结局将会如何……本片根据木下半太的小说原作改编。
回复 :《原谅我这一生不羁放纵当太傅》以宫廷政变与江湖斗争为背景，讲述的是一个表面放纵不羁的太傅苏染为家复仇为国除害的故事。苏染作为太傅年纪轻轻，风流成性，多有放浪形骸的举动，被称为“史上最无赖太傅”。
容中尔甲
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
