剧情简介
在印刷厂上班的南丹，影视某日夜班回家途中无意发现一个装有一亿纸币的红色旅行箱。原来这是议员准备贿赂上级的巨款，影视结果因为被对手追杀而临时放在路边。家庭窘迫的南丹，拿到巨款后开始改善家庭生活。同时，议员和对手也开始查找旅行箱以及一份重要的文件，三方展开了激烈的争夺。
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在印刷厂上班的南丹，影视某日夜班回家途中无意发现一个装有一亿纸币的红色旅行箱。原来这是议员准备贿赂上级的巨款，影视结果因为被对手追杀而临时放在路边。家庭窘迫的南丹，拿到巨款后开始改善家庭生活。同时，议员和对手也开始查找旅行箱以及一份重要的文件，三方展开了激烈的争夺。
叶俊岑
回复 :暑假到来，自幼丧父的小学三年级学生正男（关口雄介饰），如今和奶奶生活在一起，暑假特别无聊。他拿出母亲从外地寄回的信，准备自己一个人去爱知县丰桥市看望母亲。邻居阿姨（岸本加世子饰）发现后，决定帮正男完成心愿。她拿出一笔钱做为旅费，还安排游手好闲的老公菊次郎（北野武饰）陪伴正男一起踏上寻母之途。可是在第一天，菊次郎就把老婆给的钱全部输光，于是两个人只好步行前往爱知。一路搭顺风车，惹了不少麻烦后，菊次郎终于带着正男到了他母亲的家，但小男孩却十分沮丧。归途中，菊次郎努力安慰他，二人过得十分愉快，夏天就这么过去了。
王彩桦
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
魏如萱
回复 :沙织（蔡卓妍 饰）与鲁娇（钟欣桐 饰）两个性格各异的少女因为租房子而认识，后来她们看到了一份可以提供住宿的工作，便欣然前往。她们为了争取到这份工作反目成仇，也认识了的士司机罗大（郑伊健 饰）。她们进入了神秘的大屋后，遇到了重重机关，原来是女侠黑玫瑰（毛舜筠 饰）想寻找徒弟，见她们在患难时都能互相帮助，便决定留下她们，更被关在了密室里，她们只要求助与罗大。两人见留在大屋里好吃好住便不愿离去，决定留下来接受训练对付紫藤女，在与神经质师父相处的过程中更是笑料百出。
