刚果穷小子自力更生，幽暗拿一把斧头走入丛林，幽暗以过人意志，独力砍大树，土法制木炭。辛苦都不怕，他梦想活得好一点，可以亲手为妻子及女儿造个安乐窝。只有一辆单车，载满一袋袋沉甸甸的木炭，他一个人推着上路，长途跋涉，期望送到镇上能卖个好价钱。公路旅程却多险阻，有人拦路「收陀地」，顾客压价佔便宜。人情凉薄，向上天祷告可会有奇迹出现？摄影师出身的嘉哈，以出色影像与纪实目光，近距离捕捉这段犹如薛西弗斯推石上山的卖炭人生。夺第70届戛纳电影节影评人周大奖。
吴展濠
回复 :从现代穿越过来的老千苏宝银由于揭穿了英武国的阴谋并打开虎玉如意而被美颜国视作功臣在古代大胆开展改革。然而一朝间风云变幻，虎玉如意不见，美颜国王子霍靖莫明失踪，举国恐慌。天降神旨把矛头指向苏宝银。美王开出万两黄金追杀苏宝银。被迫无奈，五常边橹舍命相救，携女扮男装的苏宝银逃往英武国。苏宝银怀疑这一切阴谋与英武国宁云龙有关。天下第一美女英武国的公主宁小小要进行比武招亲。苏宝银决定利用这个机会混进宁府。途中却遇到自称是天下第一高手“花万骨”追杀......危急中，被宁小小搅了局，宁小小将苏宝银三人绑架，却不小心被苏宝银反制，无奈之下，只得答应帮助苏宝银等人混入皇宫。苏宝银谎称自己是男人，叫苏打水。苏宝银发现在皇宫后面有一处神秘丛林，遇到失踪的小王爷霍靖，宝银发现他变成了宁云龙的首席将军，而且不认识她，这更加坚信了苏宝银的猜想，一场大阴谋正在慢慢解开序幕……宁小小故意扮丑不想出嫁，被苏宝银看破心思，宁小小渐渐倾心女扮男装的“坏男人”苏打水。为了保护心上人，更为了解开谜底，苏宝银与五常边橹两个小跟班组成了“麻将三人组”参加了英武国的比武招亲。这是一场古代版的“饥饿游戏”，地点正好是被安排在那个神秘的丛林中。各大高手现身招亲现场，一场猎杀开始了，手无寸铁的“麻将三人组”只能通过各种阴招制敌，危急关头，霍靖现身救了苏宝银，并承认了自己的身份，此时“花万骨”的身份也被揭开，他们之所以来到这里的原因其实和现代的一所实验室有关。原来从现代穿越过来的不止苏宝银一人，还有一位现代科学家和一个叫何生的人，这位科学家与何生同为时空旅者，利用虎玉如意（手机）这个时空穿梭器，自由穿梭于各个平行空间内。他们利用每个空间内将死之人的躯壳作为媒介，生活在各个平行空间内。但何生却发现这个手机（时空穿梭器）还可以控制人的灵体能量突破时空壁由此获得无敌的力量称霸，必须阻止何生的这个行为。正当所有人认为何生寄居在宁云龙体内与之展开搏斗时，真正的何生出现了……
马文盖
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
潘美辰
回复 :Giorgio is a greedy adulterer who makes a deal with a serial killer (Michel Antoine) to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corpse in the trunk, ending up at a run-down seaside villa.
