巴里斯（察合台·乌鲁索伊 Çağatay Ulusoy 饰）出生在一个非常民主和自由的家庭之中，亚洲区他和父亲的关系亦师亦友，亚洲区可谓是在非常宽容的环境和充足的亲情中长大。而芙孙（蕾拉·丽迪雅·吐古特鲁 Leyla Lidya Tuğutlu 饰）则恰恰相反，她一直生活在家人的铁腕控制之下，对自由非常的渴望。这样两个成长环境大相径庭的人，但他们相遇的瞬间，爱火开始热烈的燃烧。很快，巴里斯和芙孙就决定携手步入婚姻的殿堂，他们都在彼此的身上找到了未曾体会过的激情和亮点，这段姻缘堪称天作之合。然而，随着时间的推移，巴里斯发现，自己对芙孙的爱，或许也是一种伤害。
谢承伟
回复 :《步步为营》讲述临水市最大的房地产开发企业中泰集团在上市之际，遭遇一宗不起眼的诉讼案件，一笔关键的银行贷款被停止发放，进而导致资金断链，数百名购房群众陷入钱财两空的境地，一起恶性社会事件即将上演。危急时刻，总裁赵根源又被警方带走、副总裁林卫东离奇失踪，曾经如日中天的巨无霸企业风雨飘摇。法官李新临危受命审理中泰破产案件，经过缜密调查，发现了背后设局者的阴谋，然而，这只是案件的冰山一角……
银色灰尘
回复 :塞巴斯蒂安·斯坦加盟独立制作惊悚片《古堡惊魂》(We Have Always Lived in the Castle，暂译)，卡司包括威廉·达福、泰莎·法米加、亚历珊德拉·达达里奥等。影片由斯黛茜·帕森自编自导，故事改编自雪莉·杰克逊同名恐怖小说，围绕一户神秘家庭中发生的离奇死亡事件展开。影片将在都柏林拍摄。
回复 :Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
