罗艳卿（叶玉卿 饰）是一名普通的公司职员，花街某一日，花街留在公司加班的她遭到了同时佐治（汤镇业 饰）的强暴。没想到，在激烈的挣扎和抗拒之中，佐治居然失手将罗艳卿杀死了。惊慌失措的佐治不知如何是好，于是来到酒吧买醉，在最严朦胧之间，居然发现一与罗艳卿外貌十分相似的舞女雯雯（叶玉卿 饰）。在乔治的威逼利诱下，雯雯乔装打扮成罗艳卿的样子，开始了她的新生活。一次意外中，雯雯身陷险境，亏得林嘉星（方中信 饰）的帮助才得以脱险。雯雯得知林嘉星原来是罗艳卿的上司，在一来一往之间对他心生好感。纸终究包不住火，身份被识破的雯雯无奈只得回归自己原本的生活，可是她对林嘉星的爱意却与日俱增。
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
回复 :改编自好莱坞电影《驳命来电》(Cellular)。这天和平日一样，身为工程师的单身妈妈Grace（徐熙媛 饰）拼命工作几乎通宵，次日送女儿婷婷上学。途中被霍德能（刘烨 饰）故意猛撞车身，Grace当场昏迷，醒来后发现已置身于一个密闭的货柜内。昏迷时她看见霍德能对她家大肆搜索并且杀害女佣，醒来后更被追问东西藏在何处。一无所知的Grace毫无办法，在悍匪离开后竭力地把一台损毁的电话接线，拨出给财务公司的阿邦（古天乐 饰）。阿邦面对Grace的苦苦哀求，随手把手机给交警辉Sir（张家辉 饰），由于听不清Grace的说话，辉警告阿邦别再胡闹。阿邦听到手机内枪声后意识到事态严重，决定帮助Grace。眼下第一件事就是拦截悍匪，他们正在前往学校企图带走婷婷以作威胁。悍匪第二个目标是找到Grace弟弟，他们相信他们的犯罪证据就在她弟弟手上。一路上阿邦被误认为劫...
回复 :故事发生在17世纪的法国，达达尼昂（樊尚·埃尔巴兹 Vincent Elbaz 饰）是一名心里怀揣着梦想的天真少年，梦想着自己能够成为名扬千里的火枪手。只身一人来到巴黎的达达尼昂，在一场意外之中结识了三名真正的火枪手阿托斯（海诺·弗兹 Heino Ferch 饰）、波托斯（格莱高利·嘉德波瓦 Grégory Gadebois 饰）和阿拉米斯（格雷戈里·德朗杰尔 Grégori Derangère 饰），四人很快就结下了坚实的友谊。之后，达达尼昂还邂逅了王后的闺蜜，温柔美丽的康丝坦斯（戴安娜·阿姆夫特 Diana Amft 饰），他瞬间就坠入了爱河。王后在暗地里和白金汉公爵保持着情人的关系，在一次误打误撞之中，她将国王送给自己的项链转赠给了情人，这下可急坏了王后。
