剧情简介
荣获圣丹斯电影节世界剧情电影类的最佳摄影奖，噗噗《黑天鹅》文森卡索主演。男孩亚历山大从小就被训练成一个杀手，噗噗与其他孩子生活在一个与世隔绝的村落，透过「父亲」果戈里的眼来认识世界，然而现在的他却渐渐对这个世界产生了自己的疑问，这些疑问也让他与「父亲」的关系陷入前所未有的考验。
噗噗的故事
荣获圣丹斯电影节世界剧情电影类的最佳摄影奖，噗噗《黑天鹅》文森卡索主演。男孩亚历山大从小就被训练成一个杀手，噗噗与其他孩子生活在一个与世隔绝的村落，透过「父亲」果戈里的眼来认识世界，然而现在的他却渐渐对这个世界产生了自己的疑问，这些疑问也让他与「父亲」的关系陷入前所未有的考验。
回复 :安迪（Al DI 饰) 和Beautiful Bill ( Carson Mell 饰) 是世界上最好的兄弟。一日，Bill 认为两人的世界很不完美，由于兄弟二人皆无来自于女人的爱。随后兄弟二人踏上了寻爱之旅，而在这个过程中，二人也经历了爱恨情愁。
回复 :The 18th century tale of a youngster whose memories, recounted after death, are a long series of wrong moral choices ending up with his killing his evil alter-ego, that is committing suicide.
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
