剧情简介
美國獨立電影【親情難捨】在取得成功之後，春暖劇中演員的境遇大不相同。傑西．艾森柏格接連演出商業鉅片【社群網戰】，春暖成為好萊塢當紅巨星。女配角哈莉．菲佛則成為一片明星，開始酗酒。禍不單行，在片場認識的男友也離她而去。為了鹹魚翻身，哈莉剽竊了男友的劇本，打算將自己的私生活搬上大銀幕，然而，日五影展報名截止日在即，為了取得電影資金，她不惜夥同助理崔西綁架了大明星班．史堤勒……
春暖花开sex8 电脑版
美國獨立電影【親情難捨】在取得成功之後，春暖劇中演員的境遇大不相同。傑西．艾森柏格接連演出商業鉅片【社群網戰】，春暖成為好萊塢當紅巨星。女配角哈莉．菲佛則成為一片明星，開始酗酒。禍不單行，在片場認識的男友也離她而去。為了鹹魚翻身，哈莉剽竊了男友的劇本，打算將自己的私生活搬上大銀幕，然而，日五影展報名截止日在即，為了取得電影資金，她不惜夥同助理崔西綁架了大明星班．史堤勒……
回复 :《椰林春戀》是邵氏外景大軍在星馬蕉風椰雨環境下拍成的一部愛情歌舞鉅片。富商之子平建人（林沖）剛從意大利留學歸來，由於喜愛音樂，不願繼承父業，決定跟相戀多年的女朋友蘇詠蘭（何莉莉）自開旅行社。第一件生意，就是招攬女教師董嫻芸（林嘉）和四個少女學生遊覽馬來西亞。詠蘭在旅途中眼看女學生李愛蓉（李麗麗）對建人苦苦痴纏，又誤會建人與嫻芸相戀，傷心失望離去。後來發現嫻芸早有情人梁茂夫（林智勇），一場誤會始告冰釋。愛蓉聽到建人將與詠蘭結婚的消息，精神失常，駕車撞山受傷昏迷……
回复 :一位年轻且缺乏经验的仙女教母埃莉诺（Jillian Bell饰）听说仙女教母这个职业面临消失的危险，她想用行动来证明人们仍然需要仙女教母，便找来了一封来自一个不开心的十岁小女孩的信，想要帮助她。但当她找到这位“小女孩”麦肯齐（Isla Fisher饰），才发现她现在已经是一位40岁的单身母亲了，生活的遭遇让她不再相信“幸福的生活”这回事。埃莉诺决定无论麦肯齐喜欢不喜欢，也要帮她找到幸福。
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
