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回复 :Fist Of Fury III stars Bruce Li as the brother of Bruce Lee's character who after accomplishing revenge on the Japanese fighters that killed his brother, returns to take care of his mother and live in the country. Determined to live a peaceful life he finds himself forced into action as Japanese thugs follow him and make his life miserable. Fist Of Fury III is way better than Fist Of Fury II, but (of course) not up to the standard of Bruce Lee's original. This one is a standard kung fu cheapie in all arenas, except that the fights are better handled, the story develops the vengeance angle fairly well and in fact has a great climax involving a thunderstorm that basically adds to the action's overall mood. Once again it's no great masterpiece and Bruce Li, while charismatic, is not Bruce Lee but as far as kung fu movies go this is as good as these things get. Another nice touch is bringing back the English Intrepeter from Bruce Lee's Return Of The Dragon, as well as crisp directing during the action in the style of Bruce Lee's original. It's nothing worth going out of your way to locate, but if found in the bargain bin or in a Kung Fu movie collection, it's worth picking up.
回复 :Copper Jack Stone purposefully orchestrates a bank robbery in order to be thrown into prison with the notorious Russian kingpin Balam. Balam is more than just a mob criminal; he"s a very cunning and dangerous lord who controls the police force from behind bars. Balam lives in prison as a cover for his real power, which is King of the city. His cell is a lavish private room built specifically for him, inaccessible to most in the depths of the prison structure. Even the warden fears venturing into his area of the prison. However, even surrounded by his loyal henchmen and guards in his sectioned off fortress, Balam doesn"t know Jack is coming for him to avenge his family, who Balam murdered in cold blood. Balam is tough... but Jack is tougher.
回复 :伊格杨的第四部作品，被视为他的经典作品。在放映室内，新来的检查员在主检官注视之下企图强暴希拉，希拉回身逼视主检官，仍在放映中的影片投射在希拉狂笑中的脸庞上，光影由青绿转深蓝，似乎希拉压抑潜藏的庞大欲望在阻断投影之同时呈现于自身。此事之后，希拉似乎开始了解自身欲望的真貌，也停止了在影像中寻找欲望投射的对象。她洗净浓妆，放下长发，带著孩子与姊姊离开了仍旧周转于客户之间的诺亚，也离开了欲望扮演的无尽循环。
