戴安娜（克劳迪亚·科尔 Claudia Koll 饰）和丈夫帕罗（Paolo Lanza 饰）结婚已经5年之久了，日本虽然帕罗在性癖好上有一些奇怪，日本但是夫妻两人之间的感情依然十分的要好。帕罗有着绿帽癖，只要一想到妻子背叛自己和别的男人乱搞的场面，他就会感到欲火焚身。尽管帕罗的性癖好实在是古怪，但是戴安娜身为妻子，还是竭尽所能的去满足自己的丈夫。 戴安娜从亲戚的手中继承了一处房产，为了处理遗嘱，戴安娜只身一人前往威尼斯。在那里，戴安娜和自己的老情人阿冯思见面了。阿冯思是一名才华横溢的艺术家，第二天，戴安娜按照惯例将他们调情的细节告诉了亦来到了威尼斯的丈夫，哪知道这一次，帕罗却妒火中烧。
回复 :Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town, where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
回复 :三個月前，因為車禍而失去記憶的男子阿草，某日醒來後發現，他車禍後這三個月以來，唯一認識且深愛的女友真真失蹤了…當阿草踏上尋找女友的旅程，並與新認識的陌生朋友-記者尼克，一起展開調查真真的身世之後，阿草發現，原來他先前所認知的一切，都不是他所想像的那樣。而這都跟他之前出車禍的原因有關…導演採用非線性敘事的手法，透過幾個不同的章節，帶著觀眾一步步拼湊出，藏在阿草影子背後的真相拼圖…
郭子
回复 :Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
