剧情简介
京城首富之女阿宝得了“离魂之症”，联邦终日昏睡不醒。遍寻蜂后而不得的捉妖人萧九和小花妖偶然发现阿宝并非离魂之症，联邦而是邪魅作乱，遂揭榜去为阿宝治病。萧九利用入梦神机发现阿宝小姐魂魄并未离体，只是被法术困阻梦中。可这梦中所见的书生确是一个手无缚鸡之力的普通人，看不出半点怪异。萧九和小花妖唤醒了阿宝，没想到却招致更大的祸端，几次从萧九手中逃脱的蜂后也突然现身卷入阿宝一事。柔弱书生暗藏什么秘密？主动现身的蜂后又有什么阴谋？奇门法师的捉妖之路越来越不可控制……
联邦调查局：国际第三季
京城首富之女阿宝得了“离魂之症”，联邦终日昏睡不醒。遍寻蜂后而不得的捉妖人萧九和小花妖偶然发现阿宝并非离魂之症，联邦而是邪魅作乱，遂揭榜去为阿宝治病。萧九利用入梦神机发现阿宝小姐魂魄并未离体，只是被法术困阻梦中。可这梦中所见的书生确是一个手无缚鸡之力的普通人，看不出半点怪异。萧九和小花妖唤醒了阿宝，没想到却招致更大的祸端，几次从萧九手中逃脱的蜂后也突然现身卷入阿宝一事。柔弱书生暗藏什么秘密？主动现身的蜂后又有什么阴谋？奇门法师的捉妖之路越来越不可控制……
岳夏
回复 :宾夕法尼亚州南部的布鲁斯特市，资深的火车机师弗兰克·巴恩斯（丹泽尔·华盛顿 Denzel Washington 饰）即将提前退休，作为拥有丰富阅历和经验的老员工，他和伙伴们虽然对公司出于成本雇用相对便宜却没有经验的新员工不满，却也无可奈何。这天早晨，弗兰克迎来了新的搭档，年轻气盛的领航员威尔·科尔森（克里斯·佩恩 Chris Pine 饰），新老交替正式开始。与此同时，位于北部的富勒站出现状况，满载危险化学品的777号列车在无人驾驶的情况下径自开走，如野兽般咆哮着冲向人口密集的城镇。危险随时降临，弗兰克和威尔即将度过难忘的一天……本片根据2001年美国俄亥俄州的一个真实事件改编。
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
王琥
回复 :阿亚兹，一位七十岁的孤独老人，厌倦了他的人生。他不断地寻找死去的方式。多年前在一场婚礼的归途中，他驾驶的小巴士掉进了山谷中，乘客们——都是他的家人——在那场事故中丧生。而今，阿亚兹与他孙子易卜拉欣——整个家庭唯一的幸存者——以及磁带上他妻子的声音生活在一起。活着，让他感到憎恶。
