剧情简介
吴恩德，完美刘不初，完美楚无败三人为一家广告公司同事，吴为刘与楚的主管，在家则是怕老婆的丈夫。由于刘不初暗恋单素女，一天力邀单女为公司上广告，而后两人坠入情网，但由于单女之姿色却引发有妇之夫的吴恩德及已有女友无败为此事争风吃醋，吴利用职务之便逼楚离职，再加上单女同情丁萍（为楚女友）而对楚不理不踩，使楚在外整天借酒过日子，被酒债逼的混不下去。于是刘与单女想办法让吴与楚和好，且让丁萍回到楚身边，又替楚还清酒债，大家又皆大欢喜！
完美的夏天第二季
吴恩德，完美刘不初，完美楚无败三人为一家广告公司同事，吴为刘与楚的主管，在家则是怕老婆的丈夫。由于刘不初暗恋单素女，一天力邀单女为公司上广告，而后两人坠入情网，但由于单女之姿色却引发有妇之夫的吴恩德及已有女友无败为此事争风吃醋，吴利用职务之便逼楚离职，再加上单女同情丁萍（为楚女友）而对楚不理不踩，使楚在外整天借酒过日子，被酒债逼的混不下去。于是刘与单女想办法让吴与楚和好，且让丁萍回到楚身边，又替楚还清酒债，大家又皆大欢喜！
回复 :A 13-year-old girl delivers heroin to some friends of hers in a leafy suburb, as a daily ritual.
漂亮亲戚
回复 :泉乡山庄成是个繁华、热闹的地方，如果却显得死气沉沉，陪伴它的只有风声和等待归来的主人！赵文清是这个山庄的主人，在一次山难中救了黄丽云，却因此手上而不能人道！丽云为了报恩而嫁给他，两人过着恩爱的生活。日积月累，两人却无法享受夫妻之间的鱼水之欢，直到一位研究生方永远住进山庄后，一切都因之而改变！
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
