阿灿（廖伟雄饰）与肥则(郑则士饰)一对活贝警界立下不丰功伟绩。但每次都是乌龙百出，圣女错有错着之下破案的，圣女一次因涉嫌收藏大陆的非法人蛇，俩人同被革除职务。二人于无意中得悉一名叫契爷的黑社会头子，掳去一富翁的小孙，但俩人是被革退的警员，又怎样去处理或能否扑灭契的犯罪集团呢！肥则为了娶阿芳（郑丽芳饰）为妻，收留了从大陆偷渡过来的大姨妈及其女阿珍（阮佩玲饰）。阿灿爱上了贤淑可爱的阿珍，两人很快堕入爱河。另一方面，犯罪集团主脑契爷（罗烈饰）及得力女助手阿JOE策划一桩勒索案，但取赎金时险比警方捉拿。无计可施时，契爷捉走阿珍及阿芳来威胁阿灿及肥则替他们取赎金，并在他们身上装了一遥控计时炸弹…
回复 :“墨西哥人”不是人，而是一把古董手枪。附带在它身上有一个传说，故事的悲剧收场，让这把枪沾上了凶险的不祥之兆。每个持有它的人，都会遭来不测。如今，小混混杰瑞（布拉德·皮特 Brad Pitt饰）面临着抉择：要么接过黑帮大佬的任务，远赴墨西哥把这支枪找回来；要么乖乖地听漂亮女友萨蔓莎（朱莉娅·罗伯茨 Julia Roberts饰）的话，和黑道断绝来往，做回一个光明正大的人。当然，得罪黑帮无异于惹火烧身，杰瑞再三考虑，还是决定把“墨西哥人”寻回，干完这桩事情就金盘洗手。风尘仆仆的赶到墨西哥后，杰瑞在异乡经历着曲折的寻枪过程。“墨西哥人”的神秘魔咒也渐渐浮现——萨蔓莎遭到了黑帮老大的绑架，以此来威胁杰瑞务必把枪完好带回。杰瑞的前路，面临着凶险的黑帮势力、手枪的古老魔咒，更有爱情的真谛等待他发现。
回复 :故事讲述一个美国女人继承了祖父的黑手党帝国，并在公司备受信任的顾问指导下，作为家族企业的新主管，打破了包括她自己在内的所有人的期望。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
