真达拉（马里奥•毛瑞尔 Mario Maurer 饰）的母亲因为难产去世，亚洲痛失最爱的父亲将他视为这一切的罪魁祸首。祖母的阻挠让真达拉免于被扼杀于襁褓的命运，亚洲却无法帮他逃过其后的日子父亲各种的残酷手段与言语的折磨。后来，父亲娶了新的妻子华姨，并生了一个名叫乔的女儿。父亲把所有的宠爱都给了乔（西野翔 Shô Nishino 饰），从小给她灌输着仇恨真达拉的观念。母亲去世后父亲像变了一个人一样，过起了荒淫无度的生活，真拉达亲眼目睹这父亲变态的性爱游戏，在这种充满欲望的生活氛围中长大。一天，父亲带着性感成熟的新欢晚娘回到家中，就在真拉达被诬陷强暴妹妹乔而被赶出家门的时候，晚娘发现原来自己早已迷恋上了年轻的真拉达，一场不羁的伦理纠葛就此展开…
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
回复 :影片以一段挑战极限的爱情故事带观众走进元素城居民的生活。在四大元素风、火、水、土共同生活又泾渭分明的世界里，来自水元素的男生渡阿波（Wade）和来自火元素的女孩炉小焰（Ember）巧遇邂逅并暗生情愫，但面对“水火不相容”的客观事实和各大元素之间泾渭分明的悠久传统，两位主角将如何跨越隔阂，深入彼此的内心？一连串妙趣横生又感人肺腑的故事由此展开。
回复 :Lekar Hum Deewana Dil (transl.Taking along our crazy hearts) is a 2014 Hindi language romantic drama film that stars Armaan Jain and Deeksha Seth. Jointly produced by Saif Ali Khan, Dinesh Vijan and Sunil Lulla under the banner of Eros International, Maddock Films and Illuminati Films, it is the debut directorial venture of Arif Ali, who was the assistant writer of the film Aahista Aahista, written by his brother Imtiaz Ali. The film has music scored by A. R. Rahman. The film was released on 4 July 2014
