未来的作家劳拉（Holliday Grainger）和她的室友美女泰勒（Alia Shawkat）在都柏林有一间凌乱的公寓，清洁对酒、清洁茉莉和一夜情有强烈的欲望。然而，当劳拉爱上了吉姆（Fra Fee），一个迷人但拘谨的古典钢琴家，泰勒担心聚会可能很快结束。《Animals》改编自艾玛·简·昂斯沃思的2014年同名小说，讲述了两个朋友成长和分离的苦乐参半的故事。苏菲·海德（Sophie Hyde）的处女作《52 Tuesdays》在2014年圣丹斯电影节上获得了最佳导演奖，她以令人耳目一新的冷静眼光审视了这段充满争议的友谊，继劳拉和泰勒之后，他们经历了享乐主义的高潮和探索灵魂的低谷。肖卡特的现场直播表演给泰勒一个无政府主义的漫画边缘，完美地补充了格雷格的灵魂转向作为冲突和创造性地阻挡劳拉。两人得到了明星阵容的支持，包括梦幻般的吸毒求婚者德莫特·墨菲和格雷格疲惫但充满爱的妹妹埃米·莫洛伊。
洪玲
回复 :一个拙劣的信仰治疗赋予了一个被欺负的少年超自然的萨满力量。 当他终生的折磨者搞出一个恶作剧杀死他所爱的人时，他用自己的力量进行报复，并开始血腥横冲直撞以解决问题。
回复 :江户时代魔鬼横行，为了对抗伪装成人类的魔鬼，一群有志之士成立了一个名叫“鬼御门”的组织。其中一个高手病叶出门(市川染五郎 饰 )，被称作“杀鬼者”，五年前他神秘地离开组织，来到第四代鹤屋南北(小日向文世 饰)开办的剧场做演员。此时在江户出现了一个名叫“暗夜的茶花”的盗贼， 实际上她们是一群表面上以云游表演为生的女子，其中最美的是一个叫椿(宫泽理惠 饰)的女子。病叶偶然邂逅了椿，两人相爱了。假扮成尼姑的恶鬼首领美惨(樋口可南子 饰)，无意中发现了椿肩膀上的阿修罗王的标记，可是椿对此一无所知，在美惨的推波助澜下，在病叶与椿结合的一瞬间真相终于浮出水面。鬼王阿修罗重生，阿修罗城出现在了世人面前。
丁薇
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
