剧情简介
农村青年小五打工回来，妹要本想娶了老婆热炕头，妹要没想到被迫卷入千门赌局，落魄潦倒尊严丧尽，连心爱的镇花也被人抢去。无意间得知自己是赌界第一反赌门派“天眼门”的香火仅存，顿感天降大任于斯人也，于是接过“天眼门”的反赌大旗，匡扶正义，他不断地精进赌技，与西河县赌王赵之初对决。虽然战胜并且封印了赵之初，但其反赌门派天眼门千年转世传人的身份也同时传遍了整个世界，变成了赌界的天下公敌。
三姐妹要勇敢
农村青年小五打工回来，妹要本想娶了老婆热炕头，妹要没想到被迫卷入千门赌局，落魄潦倒尊严丧尽，连心爱的镇花也被人抢去。无意间得知自己是赌界第一反赌门派“天眼门”的香火仅存，顿感天降大任于斯人也，于是接过“天眼门”的反赌大旗，匡扶正义，他不断地精进赌技，与西河县赌王赵之初对决。虽然战胜并且封印了赵之初，但其反赌门派天眼门千年转世传人的身份也同时传遍了整个世界，变成了赌界的天下公敌。
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :莎士比亚的爱情悲剧《罗密欧与朱丽叶》自1595年问世以来已被搬上银幕12次，其中，1968年由弗兰克·杰弗瑞里导演的版本，自问世以来就一直被视为典范之作。在十五世纪意大利的维罗纳城住有二家声望很高而彼此尖锐对立的望族。他们之间不断的发生血腥的争执。蒙达犹家族的罗密欧（莱昂纳德·怀廷 Leonard Whiting 饰）与卡普雷特家族的朱丽叶(奥丽维娅·赫西 Olivia Hussey 饰)。却一见钟情，私自结婚。朱丽叶的表兄挑衅罗密欧而被误杀，罗密欧因此被流放到城外。为了躲避家人逼婚，朱丽叶在神父的帮助下假死，当罗密欧知道后，赶了回来看到墓穴中熟睡的朱丽叶，绝望之余喝下毒药自杀，当醒来的朱丽叶看到爱人死后也绝望的用短剑刺入了自已的胸部殉情而死。
回复 :民警柳希明抓捕了一名罪犯后，克服了重重困难，抚养了罪犯的女儿并将女儿培养成优秀大学生……
