讲述医生与拳击手的爱情故事。Wandee一直在为暗恋的人做个乖乖仔，漂亮以为这样暗恋对象会喜欢，漂亮但最终告白后还是遭受了情伤，他决定不要再做个乖乖仔了，就叛逆地喝了个烂醉并且在偶遇Yeo-Yak后决定要跟外表凶悍很像不法分子的Yeo-Yak发生关系。在跟Yeo-Yak419后，Wandee想要再找Yeo-Yak做，但是Yeo-Yak已经有喜欢的人了并准备表白所以婉拒了。可是正巧，Yeo-Yak也被喜欢的人拒绝了，伤心加愤怒的他跑去找wandee，他们成为了长期的床伴。然后...他们换着各种花样做，接着他们的感情就开始变质了！~ ~ ~改编自纳塔霍恩(小鹰)的小说《旺迪·维特塔亚》。
回复 :罗子哥是一名有着十年兵龄的边防特警，退伍路过江城来到千鹤亭社区探望发小，没想到一身特警功夫得到精彩施展，竟留在了千鹤亭社区，成为保安队教官。刚毕业的大学生冯小夏，成功应聘千鹤亭下属社区居委会副主任，从此与罗子哥成为一对不打不相识的欢喜冤家。作为江城最大的社区，千鹤亭是五方杂处，景象万千，这里每天上演着年轻人创业的朝阳故事、老年人诙谐幽默的夕阳故事；这里有大龄青年、留守儿童、弱势群体、刑释人员。罗子哥昼夜“维稳”，冯小夏天天“解困”。年复一年，千鹤亭奏响了闻名全国的明星社区和谐曲。
姜均成
回复 :美丽的戏子潮来，她和青梅竹马的师兄陈继信、霸占了刘家的恶霸刘宗绪以及后来出现的富家弟子廖青云之间，演绎了一场曲折离奇、惊心动魄、柔肠寸断的情爱、人生悲剧，其间“堕民”的身份如罪恶的幽灵一般摧残了人生、改变着命运……故事发生在民国20年代，浙东地区的堕民村落——白果村。村姑绿环子美貌手巧，她爱慕悄然脱离了堕民身份、在外面戏班子吹箫谋生的惠昌，致使惠昌堕民身世暴露、饱受黑心老板摧残；但两人终于结合，在丈夫非常不愿意留下堕民“孽种”的情况下，绿环子生下一个女娃子。大户人家刘老爷的儿子偏瘫不育，女娃子辗转被刘家抱养。刘老爷的侄子刘宗绪觊觎刘家财产，他利用刘老爷的堂妹年刘氏之子讨命郎为父报仇——杀死刘老爷父子，霸占了刘氏家业和一直与他偷情的少奶奶。讨命郎误把幼小的潮来当作刘家的后代抢走，以为女儿罹难的惠昌绝望自杀。讨命郎隐姓埋名来到县城，与继信一家相识，相...
回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
