剧情简介
暑假到了，综合寄宿学校只留下总监Miss郑（张文慈饰）和四个学生愤祥（雷宇扬饰）、综合小丑（黄小莺饰）、Nokia（袁伟豪饰）及123（施念慈饰）。自从校工福婶（彭丹饰）的孙女离奇死亡，被弃置於冰箱内；而且福婶的小狗被割去头颅，一名转校生Connie（陈思颖饰）来到，连串怪事陆续发生。调查此案的于Sir（王敏德饰）险遇交通意外。Connie养父（李兆基饰）得悉一切时，便告之他们Connie是魔鬼的女儿，众人不信，反责他妖言惑众。
你操综合
暑假到了，综合寄宿学校只留下总监Miss郑（张文慈饰）和四个学生愤祥（雷宇扬饰）、综合小丑（黄小莺饰）、Nokia（袁伟豪饰）及123（施念慈饰）。自从校工福婶（彭丹饰）的孙女离奇死亡，被弃置於冰箱内；而且福婶的小狗被割去头颅，一名转校生Connie（陈思颖饰）来到，连串怪事陆续发生。调查此案的于Sir（王敏德饰）险遇交通意外。Connie养父（李兆基饰）得悉一切时，便告之他们Connie是魔鬼的女儿，众人不信，反责他妖言惑众。
回复 :影片讲述香港发生了多起离奇命案，死者均有大量失血的症状。作家阿祖（<李灿森饰）与记者疱疹（<林晓峰饰）是一对好友，分别因挖掘创作灵感和找寻新闻素材而对这些案件产生了兴趣，而祖的印尼网友王茵（<胡杏儿饰）是一名灵学专家，得知此案后认为事情并不简单，遂赴港与阿祖及疱疹联手调查。三人经过深入调查，发现原来是细菌在作祟，在印尼有一种千年古木，其中寄生着一种真菌，人们将这种木头制成棺材后，死人的尸体就会被真菌控制，成为丧尸。而这种木头日前流入了香港。多起命案均是丧尸所为，而丧尸生前的妻子（<汤盈盈饰）为了不让丈夫离开自己，也助纣为虐，以美色诱惑猎物上钩，成为丈夫的腹中之物。祖等三人得知原委后准备阻止丧尸继续害人，一场人尸大战就此展开…… >
霍建华
回复 :阴冷诡异的半岛医院，夜深人静时分，灯光闪烁昏暗，在该医院供职的马护士（杨青 饰）意外惨死电梯间，掀开了一连串恐怖和诡异事件的序幕。院长林思远的儿子林飞（蓝正龙 饰）英俊帅气，早年在国外求学，回国后在半岛医院外科担任医生，并与美丽的女护士白洁（周秀娜 饰）相恋，既让人羡慕又遭人忌恨。外科张主任（罗伯特琳 饰）因论文涉嫌剽窃保守苛责，他怀疑林飞暗中使坏，不久自己也如马护士一般落入了本不存在的地下第十八层，走出电梯后他精神失常，坠楼而亡。曾与之争吵的林飞自然受到怀疑，而时刻逡巡在医院内的鬼影搅动着所有人的神经。伴随死亡，真相逐渐揭开……本片根据网络小说《地下十八层》改编。
藤井郁弥
回复 :Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections of a reactivated officer who is summon ed to the West German capital by the Ministry of Defense to establish an Academy for Military Memories. Straub considered his film to be an intervention against German rearmament in the Adenauer era: "Machorka-Muff is the story of a rape, the rape of a country on which an army has been imposed, a country which would have been happier without one."In "Machorka-Muff," Mr. Straub, employing the cold, somewhat expressionistic but always loquacious approach of his other films, comes closest to underlining the almost subliminal irony of his themes. He briefly outlines, through the performance of Colonel Machorka-Muff, a former Nazi who is reinstated in the Adenauer regime, the unchanging thinking of the Nazi and/or the military mind. As the colonel of the title, Dr. Johannes Eckhardt is properly cold and convincing as the believer in the rights of the soldier. Although it is the shortest and earliest of Mr. Straub's films, it is both the most lucid of his works and the most clearly indicative of his potential as an imaginative filmmaker.
